Noor Villa

Bathrooms are usually over-lit and under-designed. This one inverts both. A freestanding tub sits in a niche of warm stone, flanked by lit shelving; the vanity opposite is set into dark timber with a stone shelf that runs the full width of the wall.

Every light source is warm, low and indirect — cove lighting above the niche, vertical strips beside the mirror, nothing overhead. The stone does the rest.

The shower is enclosed in low-iron glass with a brushed gold frame, kept deliberately thin so the room reads as one continuous stone volume rather than three cubicles.